You can get that from Harmor.Now here’s an even cooler quick thing to try. Additive synthesis allows for some powerful and unique timbres, and Harmor is able to produce some really good results. With Harmor you can build traditional subtractive sounds or additive progressions - you're the one who chooses. When we say Harmor is a pioneer in this category, it's not an exaggeration - its filters are completely new and unique. All in all, it's not only a great starting point, but a good place to explore. The number of presets for each synth patch is pretty impressive too - it makes Harmor suitable for many different projects and a lot of creative workflows. Harmor provides you with enough new unique ones to launch your creative output.

It's no secret that a synth with a great sound is all about its presets. You can then go back to working on the core of the song. It's as easy as loading a waveform, tweaking a few parameters and saving it. What about adding new textures into an existing track? Harmor can work with partials, which means it won't waste a lot of RAM. You can be adventurous and arrange this synth to make a track of your own. We've seen how it can fit perfectly within African grooves or the gentle ascending patterns of a flamenco track. Harmor is a great solution to musical genres that don't use a lot of repeating patterns. Harmor comes with a hard wired eight-step sequencer, which is really powerful. This functionality can only be done through a certain palette of envelope types - and it's up to you to mix and match the envelopes to get the desired effect. It can make the music play along with an external audio rhythm or a second internal rhythm. Harmor's arpeggiator is a powerful feature that adds to or subtracts from the number of notes you can play. There is a global arpeggiator that all envelopes can lock to. With Harmor, you can use even more than one envelope generator or control voltage per filter type, and this is where things really get interesting.

Harmor vst